Last January, Radha Blank and Channing Godfrey Peoples were in Park City, Utah, anxiously awaiting their respective Sundance debuts of “The Forty-Year-Old Version” and “Miss Juneteenth,” films they had each fought for six years to get financed. Blank says she was “immediately invested” in Godfrey Peoples’ movie, “because you can’t help but also look for […]
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